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San Soo » Training and Ranking
What’s involved in a Sonora San Soo Class?
A Kung Fu San Soo class is often like a family. Whether intentional
or not, the dynamic sometimes follows the long tradition of Chinese
martial arts to emulate the family
model. Head instructors usually develop a parental and nurturing
relationship with their students, beginning easy and toughening them
as they improve. Instructors tend to end up adopting a great deal
of interest in the psychological and spiritual welfare of their students.
Students look to instructors with trust and expectation. People grow
very close and a great deal of humility often develops, along with
a powerful sense of integrity, honor, and as one progresses, confidence.
A Sonora class usually opens with a series of warm-ups. Warm-ups usually
precede or include a number of fundamental fighting exercises. Warm-ups
often include an elaborate variety of kicking and punching exercises,
and the eight basic foot movements of Kung Fu San Soo. The eight
basic foot movements form the fundamental footwork, balancing, and positioning
for fighting techniques. Sometimes students are run through a series bag
kicking and/or punching drills, usually in combinations that include footwork
and timing. Emphasis is placed on striking and/or kicking accuracy, footwork,
coordination, guarding, blocking, and finally, power.
Other times instructors have students practice punching and/or kicking
drills, or various blocking drills, paired up with each other,
using the front of the back of the forearms, or the thighs, as targets.
Occasionally, gauntlets are set up using students holding pads at various
angles and positions. Each student runs the gauntlet, utilizing kicks,
punches, and footwork, to move through and learn intricate combinations,
improving timing, striking accuracy, balance, and fight coordination.
Sometimes students run the gauntlet using padded sticks or staffs to strike
positioned bags.
During most of these drills the instructor usually randomly determines
a sequence of steps, strikes, kicks, swings, and blocks, so the combinations
are unique for every occurrence. This teaches a student to understand
how the can react in almost any possible situation where they might
be attacked.
Then instructors create a series of one to four technique lessons
per class, consisting of an attack, and a series of counters and complex
response to the attack. Attacks might consist of kicks, punches, grabs,
attempted take downs, even assaults using weapons like a stick, club,
baseball bat, knife or even a gun, and sometimes many of the above
in a sequence. Students are trained to move forward, to the side,
backwards, or around and opponent, always looking for a different
opening and a different way of exploiting it. They are trained to
deflect, check, block, or avoid, and strike, kick, seize, or throw
an opponent. Sometimes several of these moves are simultaneously applied.
The idea is to strive for precision techniques performed with intentional
inconsistency, where fight patterning and personal interpretation
would be difficult to assess by a trained fighting opponent. Students
are even trained to do all these things from the ground, including
kicking, striking, and leveraging, and avoiding and escaping ground
holds.
These lessons are not meant to be memorized step by step, move by
move. But certain techniques within an exercise or lesson
are intended to be memorized and practiced, both with the
mind and through the development of precise hand, eye, and foot motor
skills. These skills can then be utilized whenever a student might
need them, in any number of infinite combinations, fluidly, and on
the fly. Lessons are practiced with other students, striving to include
persons of as many sizes, body weights, with as much previous formal
or informal experience fighting, and belt ranking levels, as possible.
Students often include former or active police officers, prison guards,
former street fighters, either former or seasonal Mixed Martial Arts
fighters, body guards and security guards, but most often persons
seeking confidence in self defense, and individuals looking for mental,
physical, spiritual, and moral refinement.
Almost all classes practice a set pattern of movements called forms.
Some sources suggest that forms were developed by fighting monks to allow
students to practice alone and develop timing, balance, fighting movements,
strikes, kicks, blocks, breathing, and energy flow. Most traditional Asian
martial arts incorporate forms in one way or another. Forms are divided
into free forms and weapons forms.
Kung Fu San Soo forms are based on a center, or ‘Bakwa’,
composed of the Buddhist eight spoke wheel. Each spoke describes an
angle from center, at either ninety degrees of offset, or forty five
degrees of offset, forwards or backwards, which is called north and
south, or side to side, which is called east and west. One foot usually
remains in the center, unless a move specifically requires leaving
and returning to center for a moment, therefore defining the center
of the Bakwa itself. As a student learns to maintain his own fixed
center through the use of forms, the center becomes an infinitely
moveable core of position and balance during fighting. San Soo fighters
take their center wherever they go.
A Free Fighting Form consists of a series of fighting techniques
performed in precise order. The idea is to establish precision, balance,
timing, and motor skill memory. Every move should be deliberate, and
each strike, kick, or block, should be delivered as if in an actual
fighting situation. Forms can be practiced slowly, or ‘internally’,
or fast and hard, or ‘externally’. They can also be soft
and flowing, or employ tension to develop dynamic strength. Each free
form consists of about 25 moves, with about five or six moves taught
each week, and one full form completed every five to six weeks.
A Weapon Form is similar to a free form, except weapons
are utilized. Weapons are always formal Chinese combat weapons and
include the staff, spear, sword, butterfly knifes, axes, knives, moon
knife, and chain. Weapons forms teach coordination with objects, and
practical application extends from the form itself. For example, a
shovel, long stick, or broom handle becomes a staff in a life threatening
pinch. Each weapons form consists of about 45 moves, with about five
or ten or twelve moves learned each week, and one full form completed
every five to six weeks.
Toward the end of the class, time is usually allocated for free sparring
called "working out". This sparring is the core
of Kung Fu San Soo training and what sets it apart from most other
martial arts. It’s thought to be based on an ancient, spontaneous
Tai Chi two man form. Two or more students spar by simulating
fights. One student attacks an other, and the defender counter attacks
with a set of combinations composed of blocks, checks, evasions, strikes,
kicks, grabs, leverages, and throws. The contact can sometimes be
fairly hard, especially when blocking, and the throws and leverages
are real, with one student sometimes resisting. Punches and kicks
to tougher soft muscle areas are often employed with considerable
force, strengthening the receiver's own body, and building precision
in the striker. But bare knuckle punches to the delicate areas of
the face or throat, eye gouges, and joint and bone breaking leverages
are held back as not to actually seriously injure fellow students.
Groin cups are always worn, with strikes and kicks to that area usually
making some contact for precision and experience for both partners.
This all requires skill and timing to learn.
Practice fights, or Kung Fu San Soo free sparring, have no predetermined
sets of movements. They are always designed to be spontaneous.
The defending student never knows what the attacker might do until
committed, and neither the defending student nor the attacker knows
what the defender is going to do, even from move to move. Students
begin very slowly, learning to apply lesson techniques, move by move
as each opportunity opens up, learning to spontaneously recognize
available targets to act on them. Higher belts work closely with them,
showing them, and encouraging them. Students learn to block, evade,
check, strike, kick, bite, gouge, seize, apply leverages, throw, stomp,
and more. As students advance, this sparring can occasionally ramp
up to full speed with nearly full, but selective power applied. In
this way, each student incorporates more and more techniques from
lessons to develop the students’ individual style, or fighting
‘essence’.
Belts and Ranking
Historically, Chinese martial arts did not utilize belts as a means
of ranking. Shaolin
Systems did often use a sash system, which evolved between the
Tang and the Ming Dynasties, but most secular Chinese martial schools
did not use belts as a means of ranking. A student simply learned
the art, and at a certain point, applied it to either establish a
fighting reputation, or kept it to himself as a potential means of
defense, a “hidden dragon”. Accomplishments are
in the end, within the mind and the ability to make the body do what
the mind sees fit. Still, most modern American martial training systems
have belt rankings and students expect them.
So Kung Fu San Soo Schools uniformly utilize a belt ranking system.
As explained
here, Chan Siu Dek, the father of Kung Fu San Soo in America,
did not originally have a set ranking system. But he eventually established
a belt ranking system in his El Monte School in the 1960’s,
much like the common modern ranking used globally in Karate, Judo,
and Jujitsu training. This belt system consisted of white, yellow,
green, brown, black, seven degrees of black, and a masters rank at
the eighth degree.
Some Kung Fu San Soo schools have returned to the Shaolin
sash ranking system. But the Sonora School uses the belt ranking originally
set in place by Chan Siu Dek. Each belt requires a test, for which
there is no charge. It’s consists of one of the master instructors
working alone with the student to make sure he’s learned a minimal
set of basic necessary fundamentals.
None of it is written in stone, except the generally allocated amount
of time required, and one student might excel at one set of fundamentals
early on, while another might take much longer. If any student has
mastered something that’s close and is able to apply it in a
simulated fighting situation, it counts for a great deal. It’s
all just a means of helping the student to understand his own strengths
and limitations, to know what he’s really capable of, and what
he needs to work on during his next belt ranking period.
All students begin as a white belt. Based on two or more classes
per week, it takes about three months to earn a yellow belt, or a
minimum of about 24 classes. Testing includes basic kicks, punches,
basic elbows, rolling, falling, the eight basic foot movements, and
one free form.
It takes about six months more to earn a green belt, or a minimum
of another 48 classes. The student must be able to perform four throws,
four leverages, and one weapon form.
To earn a brown belt it takes about six months more, and a minimum
of an additional 48 classes. Eight more leverages must be performed,
eight more throws, general pressure points, one free form and one
weapon form.
To earn a black belt, it minimally takes an additional 18 months,
or 144 more classes, and sometimes more, depending on the student.
The student must design and perform his or own free form and one weapon
form.
Each degree of black belt is earned by an additional minimum of 110
classes, and one more year.
After nine years as a black belt, a student becomes a master. There
are no official rankings beyond the master level.
Belt ranking is only a means of establishing time and effort applied,
to provide students with a set of goals, a means of quantifying time and
effort, and a method to signify ranking order within the school. The art
of Kung Fu San Soo is probably not meant for any student overly preoccupied
with the color of a belt or a ranking system. Chan Siu Dek's own son,
Warren Woo, commented that he used to ask his father, "What belt
am I now"? And Chan Siu Dek would reply, "Belts are for holding
up you pants. It doesn't matter what other people think. It's what you
know that counts".
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